20100110

please vote for Bryan Lewis Saunders!

http://www.artistswanted.org/BLS

Johnson City, TN Biography: On March 30th 1995, I started creating at least one self-portrait everyday for the rest of my life, and I have not missed a day since. At present I have over 7,400 of them and like fingerprints and DNA they are all different, no two self-portraits are the same. ...


20100109

20100107

seCondo


surrism manifesto - secondo
click the image to download the PDF
- suRRism seCondo
also here

visit suRRism.com

Caduceus Fly

surrealists - surrism - caduceus fly






















20100106

add and return n. 15 with Christine Tarantino

Little-known Czech surrealists meet French counterparts in Germany

Little-known Czech surrealists meet French counterparts in Germany

A German exhibition uncovers the work of Czech Surrealist artists from the 1920s to 1940s, juxtaposing it with pieces from the French scene. Artists from the period explored the relatively new medium of photography.

Jindrich Styrsky,

Bildunterschrift:

Großansicht des Bildes mit der Bildunterschrift: Jindrich Styrsky, "Majakovsky's vest," 1939

Elements of surprise and non sequitur are characteristic of Surrealism, which began in the early 1920s and became one of the most successful artistic movements of the century. It was centered in Paris but influenced artists throughout Europe. A new exhibition in the south-western German city of Ludwigshafen is showing works from the period that span the European continent. One of the most prominent members of the Prague Surrealist group, Jindrich Styrsky, lived in Paris during the 1930s and had close contacts to the French avant-garde movement.

Karel Teige,

Bildunterschrift:

Großansicht des Bildes mit der Bildunterschrift: Karel Teige, "Collage No. 196, 1941

In this collage, Karel Teige uses a female torso superimposed on a diving board while divers float ominously overhead like airplanes.

Miroslav Hak,

Bildunterschrift:

Großansicht des Bildes mit der Bildunterschrift: Miroslav Hak, "In the courtyard," 1943

Many Surrealists chose to depict bodiless garments, evoking abandonment and estrangement. Miroslav Hak was one of the co-founders of Skupina 42, a group devoted to avant-garde art including Surrealism.

Eugene Atget,

Bildunterschrift:

Großansicht des Bildes mit der Bildunterschrift: Eugene Atget, "Corset store," 1912

Eugene Atget photographed the city of Paris. Many of his images show reflections in shop windows of the time. His work was discovered by the Surrealists after his death in 1927. They considered his work a precursor to Surrealism.

Karel Teige, Collage No. 326, 1947

Bildunterschrift:

Großansicht des Bildes mit der Bildunterschrift: Karel Teige, Collage No. 326, 1947

In this collage, disembodied body parts find their way into a street cafe where eyes, breasts and a hand decorate the furniture. Teige constructs poetic reality by absurd juxtaposition of images extracted from their original context.

Frantisek Vobecky,

Bildunterschrift:

Großansicht des Bildes mit der Bildunterschrift: Frantisek Vobecky, "Artificial paradise," 1936

Vobecky's "Artificial Paradise" uses light, shadow and disparate objects in a dream-like arrangement steeped in eroticism.

Jaromir Funke, from the series

Bildunterschrift:

Großansicht des Bildes mit der Bildunterschrift: Jaromir Funke, from the series "Reflexes," early 1930s

Jaromir Funke was one of the leading photographers in Czechoslovakia during the 1920s and 1930s. This print is part of his series featuring reflections, a favorite subject for Surrealist photographers.

Karel Teige, Collage No. 293, 1944

Bildunterschrift:

Großansicht des Bildes mit der Bildunterschrift: Karel Teige, Collage No. 293, 1944

Karel Teige, one of the founders of the Surrealist Group in Prague, was a poet and philosopher as well as artist. He exploited the physicality of collage as a medium and created poetic reality with scissors and glue.

Emila Medkova, Bildunterschrift: Großansicht des Bildes mit der Bildunterschrift: Emila Medkova, "Hair waterfall," 1949/1982

Emila Medkova's unique perception was based on incredible attention to detail. She believed that surrealism was a part of reality itself. Although Surrealism was forbidden under the communist regime in Czechoslovakia, she refused to give up her work.

Hugo Taborsky, Selfportrait, 1933

Bildunterschrift:

Großansicht des Bildes mit der Bildunterschrift: Hugo Taborsky, Selfportrait, 1933

Surrealist photographers developed new techniques to push the medium beyond mere representation. Taborsky created special effects by heating the negative during the printing process.

The exhibition is held jointly in the Kunstverein Ludwigshafen and the Wilhelm-Hack-Museum and runs through February 14, 2010.

Author: Mariana Schroeder

Editor: Kate Bowen


20100104

suRRism-Phonoethics - filthy dishes '09

suRRism by suRRism-Phonoethics

acretypos #1020 met.4 {a glimpse of a keyhole\


acretypos #1020 met.4


a glimpse of a keyhole


they pondered through his brainstem

making the vision for anyone near quite damp to navigate the coincidence


noticing the spare matter suppressing the ignition spectral call

dysphemism sudden of impact ran through the nose bleeding unrecorded noise


yes no

he thought this was plausible right now

what could be though as later future was already his past captured by furniture in red nailed foil


as the storms dressed to cover the stellar make up extension

plasma distanced to certainty for the spatial extension to prepare mere solely

of a person's sudden function due to the partly cloudy quantum

there was a usual fix as back up in choice’s environment read by cats in jumpsuits


anton again was conceived by his channel overdrive but the fact was

they would close equilibrium -

the mighty flower trust

-

this meant to of such collectives much of leading to fail


however getting tired

it wasn’t much of interest anymore

since dominating over binary collisions became the typical cylinder electron dress

wearing the velvet skimask for dinner believing to hide his lust wasn’t the truth for them

reaching for the long armed waves voided maximum in current

may there will be left a nude banner


such as became the length through prisms mentioned opinions to a negligible modification method

as this became the face watching forces being expelled like guts of us it passed hydrostatic pressure believes


left was roughly a classical treatment which yields viral collisions like a faun dressed as closet


was there a choice left

was there a moment making the nebula sneeze the opinion of her distance interaction


was there

was it it was


magnitude demonstrates the nifty 2.512 colors to be chosen as life by one

a.m.king this correcting the notice was making it naked during a reel to reel

insomniac newspaper read spam chanting vomit for everyone


at hand this wasn’t a joke

waiting in line a hand touched the scenic scene

sprung feathers lumpy oatmeal was the source of knowledge in tie knot society

captured at step 16 to unlimited strings she freed the memory 0*2


würg

anderé buttøn

¬

undRess Béton



20100101

2R1R

photography by undRess Béton

Due to differences I have, I have had to realise my attention is limited to whim itself. Since I last updated this profile, I've had enough warnings about it (all uninvited), that I could probably arrange passable further enhancements. For example, my legs need work, as many of you have said. I've been bogged down in other preferences, working stuff towards other conclusions. So I missed all that. You've impressed me, alright. This place is educating me. With the right person I will act as some bottom-line, yes. To those who asked, thanks for asking.

20091230

.

Synesthesia: Genesis P-Orridge Tony Oursler



NOTES

Synesthesia: Genesis P-Orridge
Tony Oursler
1997-2001, 90:29 min, color, sound

Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto Lindsay. These works were originally included as one element of Oursler and Mike Kelley's multimedia installation The Poetics Project. These conversations reveal fascinating insights and anecdotes from some of the most influential figures in the experimental rock and art underground of the 1970s and '80s, from pre-punk innovators to post-punk icons, from industrial and avant-garde music to noise bands and No Wave.

Genesis P-Orridge, performance artist and vocalist for the iconoclastic English industrial band Throbbing Gristle in the late 1970s, pioneered industrial music. P-Orridge, who went on to form the experimental band Psychic TV, continues to work in music, art, and performance in New York, and is undertaking a long-term "Pandrogeny" project involving a radical identity transformation.

Produced by Tony Oursler. Questions: Tony Oursler, Mike Kelley, David West, Linda Post. Camera: Linda Post, Tony Oursler. Editing: Tony Oursler, Elizabeth Kading

Best wishes

caught without a hat


20091224

merry Christmas and spiritual Light !!


*

stuff for trade

New Disembraining Songs product: M.Stactor "Thrombling". Info and audio clip available at the new Disembraining Songs myspace profile (which replaces the old, rarely updated and even more rarely visited website) - http://www.myspace.com/disembrainingsongs

New E.O.D. Press product: United Automatons Dispatch issues 1 to 4. Info available at the old (soon to be replaced but still hanging on) Emunctory of Dreams Press website - http://www.recordism.com/EODPress/EODindex.html

- William A. Davison

20091222


trial for piano

André Pissoir (the sass)


'no need to be seeing

but touching the untouchable makes it worth screaming

which is releasing silence of truth...'


-André Pissoir (the sass)

20091221

Watch It

the brick sneeze:::::: bolster your ,ash
lapper,,,,, [hogs] an ::: dice your pill
ow lock the [[]] gosh test an Name yr
fiddling........unit compaction or a ““line””
of g nats ..... fold my suit an dry. t
he flag lopper,,, holster ,,,cash,,, m
ice rust le in my,,,,sock what tIMe it
is¿¿¿¿




Coat

fumble an,,,,scout stop jot ,,,nooser
friendly;;;;muscle flagger - - - sp
read in wind - - - - - the tunnel O f
ulla fl ame spout twist the cashless
glue:::bottled heave ......the runny g
ame,,, down my leg,,,, was fireants,,,,, t
hey left me ay : c left my eye in
side a listed sleeve - - - - -


John M. Bennett

i use also as my voice sounds hollow


pass the time, there might be no words to say if...


rain presses my face up the ceiling

{disgusted by my feeling

as I trust below my guts

i fall without missiles

in your arms of love}

depresses

sun drowns me in my wall

surrounded as I fall

i call

i am a number in my state

forced to suffer in this hate

but why i dial

i am on trial

on the touch to live

[expired as I‘m tired]

the wheel of luck

those got stuck

in mud of the last thunderstruck

the past again repeats as wheeling

industrials trash in my fridge

as we need to cross the bridge

wooden sign attached to my back as his

i will strike back and turn his neck

it will snap while his zipper opens a crack

chopped i will prefer no meat

even now i can‘t use my feet

i can and will choose not to loose

because this is my presence without booze

i use also as my voice sounds hollow

i will make myself follow what i choose

down comes the certain vitamin

this is when i am in to drop out

as some toy scout i shout

till the sprout is all what i‘m about_



add and return n. 14 with Ptrzia TICTAC

The Snake to the Magus

It's always a scorchy day on the great eve of whatever-the-heck it was or did seem was to be been
have gold.
Gold! like the drops of dew from the Moon on high be it blue or bone white, with a face that looks down on dawn or very small men by the millions walking her almost lonely and only illusionarily sullen surface
Gold that spurts in clear phallic sugar
only romantically coaxed
too tuglessly tickled and seduced by Her sex

I do say Sheila! You take me too tyrannically...
(but actually she's not really making a fuss, but ignoring him, looking in the mirror herself and powdering her chest, pulling tight that V-cut for just the right shape of cleavage-- good girl, my witchy warrioress)
She's all too swollen about the right places in
places in space and
Who would have figured with that smile and even
sometimes you know it's just there's an anyhow
and second thoughts
I don't know for myself if she does want it really or just likes that lost look in his eye

Burn the winged sun upon my head!
Oh Sheila, if it be in you to do so and at the end you
she did manage to disintegrate back into the aether though
and you know it was about time that
I mean about space that (and the infinite stars thereof)
she was at the end you
(she too must come to pass)
The day was darkening and the sun swallowed by the sea
(though he burns on and on ever unconsumed by the sea you see)
And nothing ever sad but thinking made it so sorry
that even in sorrow and death I'm in love not
with her but with Her and let
me do talk about that Horned one

It comes first in dark robes, the men in black
And red triangles
And blue triangles in temples
Until it seems best to prove:
"Most people never understand anything
They are like the soil of the earth
They form the basis of life but are themselves lifeless."
And there's a voice laughing in broken crackles in crackwhip dancing distortions over the intercom and a god to rise over landscapes of geometry grinning jauntily until Holy Terror sets in and
Comes slowly at first, the Horned silhouette stomping down a dark hallway in
thud... thud... thud...
Thud Thud Thud--
Crash! of crystal glittering glass shards spread by a wealth of good shenanigans across cosmic eternal night sky and smoke and a face of galaxies with smeared hollow eyes and a grin of death that spans unmeasured lightyears...

Still
You come home and Sheila is there to greet you in her favorite
red as imagined blood that
fills her lips and lips
parting to suggest parting,
"may I raise your Snake, but droop not it's head?"
That's just how she plays it:

fleuRs

par ship

flies

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